Animestyle 007 Sound! Euphonium interview: Jukki Hanada translated (part 2)

As Sound! Euphonium is one of my favorite shows to watch, it became one of my favorite shows to translate about. I previously translated an interview with director Tatsuya Ishihara and series director Naoko Yamada in the periodical Animestyle, but there was another interview in that issue. This post is the second of two parts where Oguro interviews the series composer/scriptwriter for Sound! Euphonium, Jukki Hanada. Here is the first part of this interview.

When I finished writing, I thought “This is really good.”

Jukki Hanada (Series Composer/Scriptwriter) Interview

Reporters: Yuichirou Oguro, Itsuki Shouta; Text editing: Yuichirou Oguro; Interview date: September 3, 2015; Interview location: Kyoto Animation Tokyo Office

Jukki Hanada:

Born October 26, 1969 in Miyagi. Works at SATZ. First series composed was Mahoromatic: Something More Beautiful. Presently he has worked on countless titles as series composer/scriptwriter. For Kyoto Animation works, he’s composed Nichijou, Chuunibyou Demo Koi ga Shitai!, and Kyoukai no Kanata. He served as series composer and wrote all the scripts for Sound! Euphonium.

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Animestyle 007 Sound! Euphonium interview: Jukki Hanada translated (part 1)

As Sound! Euphonium is one of my favorite shows to watch, it became one of my favorite shows to translate about. I previously translated an interview with director Tatsuya Ishihara and series director Naoko Yamada in the periodical Animestyle, but there was another interview in that issue. This post is the first of two parts where Oguro interviews the series composer/scriptwriter for Sound! Euphonium, Jukki Hanada. Huge thanks to Karice for help editing this massive interview.

When I finished writing, I thought “This is really good.”

Jukki Hanada (Series Composer/Scriptwriter) Interview

Reporters: Yuichirou Oguro, Itsuki Shouta; Text editing: Yuichirou Oguro; Interview date: September 3, 2015; Interview location: Kyoto Animation Tokyo Office

Jukki Hanada:

Born October 26, 1969 in Miyagi. Works at SATZ. First series composed was Mahoromatic: Something More Beautiful. Presently he has worked on countless titles as series composer/scriptwriter. For Kyoto Animation works, he’s composed Nichijou, Chuunibyou Demo Koi ga Shitai!, and Kyoukai no Kanata. He served as series composer and wrote all the scripts for Sound! Euphonium.

Note: I use the term “scenario” here to reflect what Hanada himself wrote. Changes can/are made to this by the time of recording dialogue, so I use the term “script” to refer to what the voice cast themselves read. In contrast to Western film/entertainment, the scenario is much like a script itself with dialogue and actions written instead of a general framework of a story.

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K-On!! Staff Interviews pt2: Producer Yoshihisa Nakayama

Producer
Yoshihisa Nakayama

TBS Television Contents Business/Video Business Center Section Chief. Produced works include AIR, Clannad, and Clannad After Story among others.

As a producer, Nakayama-san creates productions from a different position than the production staff. This time we ask him about creating a favorable environment around the show and secret tales about how the second season was created, reserving the broadcast slots, tie-ins, and merchandise creation.

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K-On! Staff Interviews pt2: Producer Yoshihisa Nakayama

Producer
Yoshihisa Nakayama

TBS Television Contents Business/Video Business Center Section Chief. Produced works include AIR, Clannad, and Clannad After Story among others.

As a TBS producer, Nakayama-san has brought Kyoto Animation works such as AIR and Clannad into the world thus far. We speak with him asking how he envisioned K-On! taking off and what kind of anime did he consider making with it. Continue reading

The Disappearance of Haruhi Suzumiya Interviews – Author-General Manager-Scriptwriter Discussion

This is the last in a batch of interviews from The Disappearance of Haruhi Suzumiya guidebook that I’ll be posting. Some of these were previously posted in 2011/2012 and I’ve gone back and edited them. This long interview is the final piece, and one that was previously translated. Credit goes to Yumeka for translating parts of the middle of this piece along with comments on the rest Please enjoy hearing about the first impressions from the three people who played the most important roles in the movie’s creative process!

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The Disappearance of Haruhi Suzumiya Interviews – Director Roundtable

This is the fourth in a batch of interviews from The Disappearance of Haruhi Suzumiya guidebook that I’ll be posting. Some of these were previously posted in 2011/2012 and I’ve gone back and edited them. This roundtable is the first of two previously translated group pieces to provide details on how the visuals of the film were imagined. Please enjoy reading (again) about how directors Tatsuya Ishihara (General Manager), Yasuhiro Takemoto (Director), and Noriko Takao (Unit Director) came to conceive how to depict the original novel in animated form!

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The Disappearance of Haruhi Suzumiya Interviews – Illustrator Noizi Ito

This is the third in a batch of interviews from The Disappearance of Haruhi Suzumiya guidebook that I’ll be posting. Some of these were previously posted in 2011/2012 and I’ve gone back and edited them. This short interview is the first of three previously translated pieces with some edits for readability. Please enjoy hearing from the original designer of the Haruhi characters, Noizi Ito!

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