This is a translation of the (long) roundtable discussion between Director Ishihara, Series Director Yamada, and Author Takeda that was published in the Sound! Euphonium Official Fanbook (published on September 25, 2015 by Takarajimasha). Thanks to @yuyucow, @tadamari, and @animenewsdotbiz for their comments and reviews.
Director x Series Director x Author Roundtable
Anime director at Kyoto Animation. Previous works directed include Chuunibyou Demo Koi ga Shitai!, Nichijou, and The Melancholy of Haruhi Suzumiya.
Anime director/animator at Kyoto Animation. Previous works directed include K-On!, Tamako Market, and the award-winning Tamako Love Story.
Author. Debuted with “Today, We Breathed Together” in 2013. Also in 2013, Sound! Euphonium was published; currently there are 3 volumes and a collection of shorts published. Continue reading
A couple years ago, I wrote a piece talking about the Anibin blog and how the author measured resolution of anime by using the television broadcast. Later on, I noticed that the methods used to judge the productions from Kyoto Animation was a bit suspect. Simultaneously, I started to notice the photography of shows a lot more, especially on the Blu-ray versions of the show. I’ve seen many people quote that KyoAni produces at 955.5p for main feature and full HD for openings and endings. I accepted it initially as I trusted Anibin as a source, but later I started to question that as the logic behind producing something like that didn’t add up. The following is a brief overview of the photography of anime and how that affects Anibin’s resolution guesses. Continue reading
Founded in 1981 and incorporated in 1985, Kyoto Animation (once known as Kyoto Anime Studio) is a good studio to look at the evolution of a studio that once focused only on one aspect of animation into a subcontractor into an animation producer into an multimedia studio. This is a look at how they grew into who they are now.
In April 2006, a reasonably popular light novel franchise by the name of The (blank) of Haruhi Suzumiya began airing its anime adaptation. Little did the producers know that the anime would become one of the top selling series of all time. The franchise became huge and a second season seemed inevitable. However, fate had other ideas in store. This post will detail how the Haruhi Suzumiya franchise has yet to receive a third season after selling nearly 100,000 copies per volume on DVD in 2006 (oricon miscalculations).
On April 26, 2013 Kyoto Animation announced their 17th self-produced animation production entitled FREE!, a series about a group of friends re-uniting in their passion for swimming after going their separate ways following a victory in the elementary school nationals. What really got people in an uproar was the fact that all the main characters in this series were male and a previous advertisement involving these characters was very focused around their appeal towards female viewers. Of course this caused certain fans to be upset, things have been said, etc. I’m not going to focus on that (it’s been covered already). Nor am I going to focus on what mistakes have been made in covering this series (again, already covered). What I want to focus on is the impact FREE! has in future productions by Kyoto Animation that’s been heavily ignored by most fans, production and revenue (and no, not focusing towards a different audience).
In the past few years, Kyoto Animation has begun to take a bigger lead in the sponsorship of their shows. This leads to them being able to provide a commercial in each of the timeslots their shows air in. This post will collect the staff involvement for each of the commercials they air based on the listing in their website. As more are added, this post will be updated. Continue reading
Last last year, the television station NHK announced that they were planning to air a revised version of the anime show Nichijou on their educational stations throughout Japan. They aired this revised version of the show from 2012/01/07 to 2012/03/24 and it was in such high demand that they re-aired it in June. Now, this version of the show has been listed to be released as a “Director’s Cut” version DVD-BOX. I’ve not seen anyone detail about how the series was re-organized, so I thought a post detailing the segments would be a good reference. I’m citing the information from Shinkai’s blog and have taken screencaps from Random Curiosity (I watched via Crunchyroll, so I have no way to take screencaps). Continue reading