Translations master list

Since most of the front page was taken up by translation projects, I figured it would be best to make a master list sticky post instead of having each of the translation posts be a sticky. Here’s the projects I’ve worked on and their status:

Nagaru Tanigawa interview from the June 2003  The Sneaker
Finished Post

Nagaru Tanigawa/Noizi Itou discussion from the February 2006 The Sneaker
Finished Post

Chuunibyou Demo Koi ga Shitai! Episode comments
Completed! Posts: Pre-air/1/2/3/4/5/6/7/8/9/10/11/12/Final Cast Comments

Tamako Market Preview Interview:
Finished Post

Hyouka Episode comments
Finished! Posts: 1-2/3-4/5-6/7-8/9-10/11-12/13-14/15-16/17-18/19-20/21-22

2011 Japan Cultural Affairs Department Kyoto Art Festival – KyoAni roundtable
Finished Post

Free! Director Hiroko Utsumi x Character Designer Futoshi Nishiya interview
Finished! Post 1/Post 2

Chuunibyou Demo Koi ga Shitai! Movie/S2 Director Tatsuya Ishihara interviews
Finished! Non-Spoilers/Spoilers Cloud G

Chuunibyou Demo Koi ga Shitai! S2 magazine translations
Finished! Animage 12/13Animedia 01/14

CTFK Stage Event Panels translations
Complete! Directors Dialogue/Futoshi Nishiya (Free!)/Producers Discussion

 

K-On!! Blu-ray Box review

Following the hugely successful first season, TBS producer Yoshihisa Nakayama was easily able to get a sequel approved rapidly after the show finished broadcasting. Furthermore, he was able to convince TBS (and other committee members) to make this sequel twice as long as the first season was. In order to celebrate 5 years since broadcast, TBS released both seasons of the show in blu-ray boxes. After the successful first season box, the second was released in November of 2014. This is a review of that box set.

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K-On! Blu-ray Box review!

In 2008, TBS producer Yoshihisa Nakayama took on a risk when deciding to make a TV anime series adaptation of a manga right after the first volume was published! In the end, his risk paid off immensely for TBS as K-On! became one of the big hit shows of 2009 (really only behind Bakemonogatari in popularity). The series was the first Kyoto Animation production to be released on Blu-ray (back in 2009), so it took 5 years (and a necessity of additional revenue to shore up the fiscal year) for TBS to greenlight a BD-Box in March 2014. This is a review of that box set.

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Animestyle 007 Sound! Euphonium interview: Jukki Hanada translated (part 2)

As Sound! Euphonium is one of my favorite shows to watch, it became one of my favorite shows to translate about. I previously translated an interview with director Tatsuya Ishihara and series director Naoko Yamada in the periodical Animestyle, but there was another interview in that issue. This post is the second of two parts where Oguro interviews the series composer/scriptwriter for Sound! Euphonium, Jukki Hanada. Here is the first part of this interview.

When I finished writing, I thought “This is really good.”

Jukki Hanada (Series Composer/Scriptwriter) Interview

Reporters: Yuichirou Oguro, Itsuki Shouta; Text editing: Yuichirou Oguro; Interview date: September 3, 2015; Interview location: Kyoto Animation Tokyo Office

Jukki Hanada:

Born October 26, 1969 in Miyagi. Works at SATZ. First series composed was Mahoromatic: Something More Beautiful. Presently he has worked on countless titles as series composer/scriptwriter. For Kyoto Animation works, he’s composed Nichijou, Chuunibyou Demo Koi ga Shitai!, and Kyoukai no Kanata. He served as series composer and wrote all the scripts for Sound! Euphonium.

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Animestyle 007 Sound! Euphonium interview: Jukki Hanada translated (part 1)

As Sound! Euphonium is one of my favorite shows to watch, it became one of my favorite shows to translate about. I previously translated an interview with director Tatsuya Ishihara and series director Naoko Yamada in the periodical Animestyle, but there was another interview in that issue. This post is the first of two parts where Oguro interviews the series composer/scriptwriter for Sound! Euphonium, Jukki Hanada. Huge thanks to Karice for help editing this massive interview.

When I finished writing, I thought “This is really good.”

Jukki Hanada (Series Composer/Scriptwriter) Interview

Reporters: Yuichirou Oguro, Itsuki Shouta; Text editing: Yuichirou Oguro; Interview date: September 3, 2015; Interview location: Kyoto Animation Tokyo Office

Jukki Hanada:

Born October 26, 1969 in Miyagi. Works at SATZ. First series composed was Mahoromatic: Something More Beautiful. Presently he has worked on countless titles as series composer/scriptwriter. For Kyoto Animation works, he’s composed Nichijou, Chuunibyou Demo Koi ga Shitai!, and Kyoukai no Kanata. He served as series composer and wrote all the scripts for Sound! Euphonium.

Note: I use the term “scenario” here to reflect what Hanada himself wrote. Changes can/are made to this by the time of recording dialogue, so I use the term “script” to refer to what the voice cast themselves read. In contrast to Western film/entertainment, the scenario is much like a script itself with dialogue and actions written instead of a general framework of a story.

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Animestyle 007 Sound! Euphonium Interview: Director Tatsuya Ishihara & Series Director Naoko Yamada Part 2

The “Adolescent Anime” Tackled Head-on

Interview with Tatsuya Ishihara (Director) and Naoko Yamada (Series Director)
Reporters: Yuichirou Oguro, Itsuki Shouta; Text editing: Itsuki Shouta; Interview date: August 13, 2015; Interview location: Kyoto Animation Tokyo Office

Tatsuya Ishihara
Kyoto native who works at Kyoto Animation. Following his directorial debut with AIR, he has helmed several works at the studio including The Melancholy of Haruhi Suzumiya, Kanon, Clannad, Nichijou, and Love, Chunibyou, and Other Delusions. His most recent work is Sound! Euphonium.

Naoko Yamada
Kyoto native who works at Kyoto Animation. After working as episode director in Clannad, she was appointed to direct K-On!. Since then, she has directed K-On!!, K-On! The Movie!, Tamako Market, and Tamako Love Story. She served as series director for Sound! Euphonium.

(This is the second of a two part interview translation from Animestyle 007. Due to its length, I decided to break it into two parts for easier reading. Here is the first part. This one is about twice as long as the first, but I couldn’t break up this first section and end on a cliffhanger. Enjoy the rest!) Continue reading

Animestyle 007 Sound! Euphonium Interview: Director Tatsuya Ishihara & Series Director Naoko Yamada Part 1

The “Adolescent Anime” Tackled Head-on

Interview with Tatsuya Ishihara (Director) and Naoko Yamada (Series Director)
Reporters: Yuichirou Oguro, Itsuki Shouta; Text editing: Itsuki Shouta; Interview date: August 13, 2015; Interview location: Kyoto Animation Tokyo Office

Tatsuya Ishihara
Kyoto native who works at Kyoto Animation. Following his directorial debut with AIR, he has helmed several works at the studio including The Melancholy of Haruhi Suzumiya, Kanon, Clannad, Nichijou, and Love, Chunibyou, and Other Delusions. His most recent work is Sound! Euphonium.

Naoko Yamada
Kyoto native who works at Kyoto Animation. After working as episode director in Clannad, she was appointed to direct K-On!. Since then, she has directed K-On!!, K-On! The Movie!, Tamako Market, and Tamako Love Story. She served as series director for Sound! Euphonium.

(This is the first of a two part interview translation from Animestyle 007. Due to its length, I decided to break it into two parts for easier reading. Here is the second part. Enjoy the first part!)

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K-On!! Staff Interviews pt2: Producer Yoshihisa Nakayama

Producer
Yoshihisa Nakayama

TBS Television Contents Business/Video Business Center Section Chief. Produced works include AIR, Clannad, and Clannad After Story among others.

As a producer, Nakayama-san creates productions from a different position than the production staff. This time we ask him about creating a favorable environment around the show and secret tales about how the second season was created, reserving the broadcast slots, tie-ins, and merchandise creation.

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