Since most of the front page was taken up by translation projects, I figured it would be best to make a master list sticky post instead of having each of the translation posts be a sticky. Here’s the projects I’ve worked on and their status:
Nagaru Tanigawa interview from the June 2003 The Sneaker
Nagaru Tanigawa/Noizi Itou discussion from the February 2006 The Sneaker
Chuunibyou Demo Koi ga Shitai! Episode comments
Completed! Posts: Pre-air/1/2/3/4/5/6/7/8/9/10/11/12/Final Cast Comments
Tamako Market Preview Interview:
Hyouka Episode comments
Finished! Posts: 1-2/3-4/5-6/7-8/9-10/11-12/13-14/15-16/17-18/19-20/21-22
2011 Japan Cultural Affairs Department Kyoto Art Festival – KyoAni roundtable
Free! Director Hiroko Utsumi x Character Designer Futoshi Nishiya interview
Finished! Post 1/Post 2
Chuunibyou Demo Koi ga Shitai! Movie/S2 Director Tatsuya Ishihara interviews
Finished! Non-Spoilers/Spoilers Cloud G
Chuunibyou Demo Koi ga Shitai! S2 magazine translations
Finished! Animage 12/13 – Animedia 01/14
CTFK Stage Event Panels translations
Complete! Directors Dialogue/Futoshi Nishiya (Free!)/Producers Discussion
In 2012, the producers at Kyoto Animation decided to make one of the honorable mentions in 2011’s Kyoto Animation Awards into an animated TV series. To helm it, they chose Taiichi Ishidate to direct a production for the first time. The Kyoukai no Kanata TV series ran from October 2013-December 2013 for 12 broadcast episodes, 5 joke shorts, and 1 unaired prequel to the series. It was decently received, though the series suffered from being overly ambitious with the setting and providing little emphasis on why the viewer should like the main two characters over the side characters. With the final Japanese Blu-ray in July 2014 came an announcement that it would get a movie adaptation. Later on, that adaptation was clarified: there would be a recap film called the “Past” and a new piece called “Future.” “Past” was originally sold only at the theatres playing the films in March 2015, but got a limited release through KyoAni and Pony Canyon’s online store. “Future” got a wider distributed release to most retailers in October 2015. Since the two are part of the same work, this review will cover both Blu-ray editions of the films. Continue reading
In 2004, TBS’s producer Nakayama decided to create an adaptation of a popular visual novel to run on TBS’s broadcast satellite channel BS-i. He chose to collaborate with Pony Canyon, Movic, and a studio which had aired its first TV animation production the year prior, Kyoto Animation. That adaptation was very popular and as such Nakayama went back to a Key visual novel for another adaptation, which ran from October 2006 to March 2007. As with most TV series in 2007, it was only released on DVD at the time, despite airing in HD. In late 2009, TBS and Pony Canyon released the highly anticipated Blu-ray Box set. This is a review of that Blu-ray Box for the series Kanon. (Box images courtesy of TMSIDR)
Director x Series Composer Dialogue
Director Naoko Yamada:
Director/Animator at Kyoto Animation. Notable works include directing Tamako Market/Love Story, series director of Sound! Euphonium, and episode director/storyboards/key animation for Clannad, Clannad After Story, The Melancholy of Haruhi Suzumiya, and other shows.
Series Composer Reiko Yoshida:
Freelance scriptwriter. Notable works include series composer for Bakuman, Girls und Panzer, Tamako Market, and Yowamushi Pedal among other series.
Director Yamada and Yoshida-san created K-On!! with love surpassing the usual for these roles. What thoughts and memories do they continue to hold as they look back at the final episode and the three years that have passed since the first four entered high school until their graduation. Continue reading
This is the last of the three staff interviews featured in the guidebook for Amagi Brilliant Park. Let’s finish with the author of the light novels: Shouji Gatou!
Amaburi Staff Interviews
Creator/Series Supervisor: Shoji Gatou
Well-known author who has published various titles such as Full Metal Panic! (from the Fantasy Bunko label) He has also served as an anime scriptwriter for various shows and was the series composer for Hyouka alongside director Yasuhiro Takemoto.
The creator of Amagi Brilliant Park influenced the anime production from the role of “series supervisor.” Here we speak with Shoji Gatou about the birth of the franchise, the secret tales of how the characters were born, and shed light on the backstage events of the anime production!
This is the second of the three staff interviews featured in the guidebook for Amagi Brilliant Park. All three will be translated, but let’s unite the elements with the producer of the show: Yoshihisa Nakayama!
Amaburi Staff Interviews
Producer: Yoshihisa Nagayama
Producer at TBS Television. Has produced many anime shows including the K-On! and Hidamari Sketch series.
Nakayama P supported Amabrui through various jobs like bridging between the novels and anime and publicity. Here we talk to him about his enthusiasm for the work and various behind-the-scenes stories during the broadcast period.
This is one of the three staff interviews featured in the guidebook for Amagi Brilliant Park. All three will be translated, but let’s start off nice and easy with the director of the show: Yasuhiro Takemoto!
Amaburi Staff Interviews
Director: Yasuhiro Takemoto
Director at Kyoto Animation. Notable works include Hyouka. Has participated as director in past Shoji Gatou animated works.
While including many original elements, director Takemoto also endeavored to show the charm of the original novels. Here we talk to him about the charm of the anime and the portions he was fixated on.
This is the sixth and final piece in a series where I’ve translated the interviews with the staff in the Sound! Euphonium official fanbook. This has been a very enjoyable experience to translated the words from many people we don’t often hear from in anime production. I hope this has given you as a reader more insight into the various aspects of production of one anime series. This final piece has comments regarding production from various staff members from the backgrounds to the music production. Please enjoy this one last time. Continue reading